I don’t know if people still use live wallpapers, but I like the way mine turned out.

https://i.imgur.com/yXmjLUc.gifv

Oh interesting. I haven’t used Jerboa for some time, so I’m not really sure what is causing the issue…

Thanks! I think I probably spent 15 hours on it between the wallpaper and icons. I’m definitely proud of how it turned out.

Are you sure about the spoiler formatting? My app doesn’t honor spoiler formatting, so I double-checked it in a web browser and it seemed functional.

This isn’t KLWP, it’s a Samsung app called “Wonderland.” All things considered, the interface for Wonderland isn’t great, so if you have KLWP already installed, I might try messing around with it more before installing Wonderland…

Honestly, I’m not sure how I feel about this leak (assuming it’s remotely accurate).

I suppose you could make a horror/thriller-esque story about Plas if you leaned into the body horror aspect of it; but he seems like a much better fit for a comedy instead.

The two most recent runs in 20 years (Gail Simone and Kyle Baker) definitely have Plas established as a pretty unserious guy. There’s definitely a tinge of tragedy in his origin of being betrayed by his fellow goons, but he definitely bounces back.

Even runs where he isn’t the primary focus (the Injustice tie-ins or the Terrifics) have him as a pretty comedic character.

Having said all that, I am not terribly familiar with Aronofsky’s work; so I could definitely be missing something that makes him a good fit…

That stuck out to me as well. Disney probably made 50k USD in the time it took me to write this comment. This feels more like sending a message than trying to avoid a costly payout.

I’m sure they want to discourage lawsuits, but I’m worried they did this just to try to set a precedent on EULAs being the end-all-be-all.

I just hope they get enough bad publicity from this move to cost them more than the payout would have.

The fact that Disney is asserting that whether a EULA has been read is irrelevant and that a EULA signed five years prior for an unrelated use is still enforceable feels more than insidious.

I hope Disney’s claim gets thrown out because I worry about the precedent this could set for EULAs going forward.

I’ve been holding onto my phone well past its prime since I can’t help but see every new phone on the market as a downgrade because of this.

I know people say that you don’t NEED an SD card if you buy the most expensive version and rely heavily on cloud services but it’s definitely an intentionally worse customer experience.

I’m actually really sad Sony pulled out of the US, since I was planning on getting an Xperia this year. Now it feels like I’m limited to Samsung or Google if I want a flagship SoC…

Ever since I watched RedLetterMedia’s “F*ck You, It’s January” (YouTube | Piped) I cannot stop noticing how studios will drop movies they don’t have faith in at the very start of the year.

To date, based off my very detailed research of quickly scrolling through Wikipedia, Marvel has only released two MCU movies in February: Black Panther, and Ant-Man & the Wasp: Quantumania.

With the numerous data-set of two points, it seems like Marvel has two potential reasons for not having faith in a movie:

1. It actually is bad (see Quantumania)
2. It is a Black-led movie (see Black Panther)

You could make the case that they dropped Black Panther in February because it is Black History Month, but Black Panther: Wakanda Forever was released in November…

With all this said, now, I am curious in their lack of faith in the new Captain America movie. I’ve already mentioned the two reasons, I would expect them to not have faith in it, but there is a third reason as well:

3. New MCU movies simply don’t have the draw that the old ones did. Even a decent quality MCU movie would really need to stand out for audiences to notice, and this movie may just not stand out…

Whatever their reason for releasing Captain America: New World Order in February is, I’m sure we’ll find out soon enough.

It feels like a tale as old as time, that a company gets bought by another and immediately selling off assets; and I would very much like to stop hearing it.

While sometimes spending does need to be cut, cutting assets immediately after an acquisition usually does not maintain the company’s health in the long term.

On another note, while I think Paramount/ Skydance is right that the current streaming environment is not amiable to the customer; I find it amusing this is just creating “Cable 2.” I know each studio wants to keep all the money for themselves, but it feels ridiculous they are pretending “Cable 2” would be better for customers than a music streaming model, where any streamer can provide any content

While I am tired of comedy sequels coming out decades too late, I am cautiously optimistic about Shrek.

Given its animated nature and fantasy setting, there isn’t a lot of pressure to explain why the characters are all decades older. You can just set it right after the last one, which I think avoids a pitfall a lot of late sequels fall into.

Additionally, in my opinion, Shrek actually has a pretty strong track record. I mostly rewatch the first two, but the fourth and Puss in Boots 2 (if you count that as a Shrek movie) are both really good also. (I can’t comment on the first Puss in Boots movie since I never saw it, and we don’t need to discuss Shrek 3…)

I think it COULD also be fun to see Shrek lampoon more of modern Disney, since a lot has changed for them since the early 2000s; but it feels like Shrek has moved further and further from that style of comedy and have moved more into irreverently twisting broader fairy tales instead, so that doesn’t feel very likely to happen, unfortunately.

Seeing as how the movie is years away, I think it is too soon to be making claims in either direction for the movie’s quality; all I can decisively say is I really hope it doesn’t disappoint.

At this point, I’ve lost count of the number of times Elon should have been let go. I recall him recently saying that dosing himself with cat tranquilizers was cool and a good business decision actually.

That’s not even getting into turning Twitter into a Nazi bar (and throwing out its extremely valuable branding) or pushing for the cybertruck that cuts its passengers, looks like a dumpster, and corrodes if you look at it funny.

The fact any board of directors considers this man employable at all is mind boggling to me.

Honestly, that’s my main hope as well; that all the charging team talent will disperse across the market and help other chargers spread as well. The article mentioned Tesla having 60% of the fast charger market, so hopefully we will see other companies fill the gap.

My concern is that if no companies pick up the ball Tesla just dropped (or more accurately angrily chucked over the fence), that this could set the EV charging network back significantly; which would definitely be a problem for mass adoption of EVs.

When this news dropped a little while ago. I saw a lot of speculation that basically Elon got mad that a woman said he was wrong and laid off possibly Tesla’s biggest asset in a tantrum.

Honestly, at this point, the most surprising part of this situation is how unsurprised I am at that being exactly what happened.

Hopefully, this will not set back a widespread EV charging network (Tesla or otherwise) too much; but it definitely sounds like damage has been done.

I didn’t read the original Spider-Noir run, so I can’t comment in that regard, but I don’t see why live action would be a problem. Noires were really big in the 40s and they were all live-action. As long as the direction leans into that aesthetic, I think it could feel even more noire than the animated version.

While Nic Cage being attached is no guarantee of quality, I do find it interesting this is his first TV series. I’m sure he’s been offered TV roles before, so to me this implies he might really believe in the project.

Lord and Miller being involved is a good sign, too; but I’m not sure how much influence a producer really has, to be honest, so it might not mean anything for the show’s quality.

Either way I’ll definitely be watching it since I love Nic Cage and greatly enjoyed him as Spider-Noir in the Spider-Verse movie; but with Sony’s track record, I’m only cautiously optimistic.

I’m definitely a little late to the party here, but I just wanted to say that I love coffee but almost exclusively drink decaf and the lack of flavors is the bane of my existence.

I think because decaf coffee drinkers are the minority, coffee roasters don’t want to invest a lot in decaf varietals; but if you think about it, decaf should have the most roast/flavor varietals since if you’re drinking decaf, you’re only drinking it for the flavor (you certainly aren’t drinking it for the caffeine).

I think I spent ~20 hours on the goody bags when including the time it took to make the designs and to actually print, cut out, and assemble each piece; so I was very pleased with how well the goody bags turned out.

I was a little bummed out to realize “The Wash” was too obscure a reference for even the most SpongeBob savvy of my guests; but I thought it was funny, and I guess that’s what counts.

To be honest, I’m not sure why the BBC wouldn’t offer amnesty for anyone who comes forward in this situation. At this point what do they have to gain by not offering that? Would they really want to prosecute a bunch of 80 year olds who effectively preserved episodes they wish they had preserved themselves?

Having watched the trailer, I’m sure Chris Pratt will deliver a similarly passable performance to The Super Mario Bros. Movie, but I have to wonder what kind of dirt he must have on studio executives to keep booking roles he is definitely not the best choice to play.

I know a large part of it is studio insistence on using A-listers for voice acting roles, but on some level you have to ask how many kids will actually beg their parents to let them see Garfield just because Star Lord is in it.

Looking at the total cast, it is pretty stacked with known actors, but they were not featured in the trailer (except for Chris Pratt and Samuel L Jackson) so it’s hard to know if they did a good job or not. Even though I like most of them, I still really wish studios would start bringing trained voice actors back to animated movies.

From an animation standpoint, it’s about what you would expect for a generic kids movie. It reminds me a lot of the Illumination aesthetic, though I don’t think it is Illumination.