I’m not criticizing the choice of C++. I just don’t want to look at the code because I don’t personally like the language.

Languages: C++

Yeah, hard pass on looking at that code base.

Alpine Linux users are in shambles.

If we’re going fictional characters, then Havelock Vetinari from the Discworld novels.

As someone who has done a lot of distro hopping in the past, I’ve found that going for a stable release that is widely used as a daily driver is superior for gaming than “gaming specific” linux distros, largely on the basis that the gaming distros have routinely had buggy UIs, driver issues, and a variety of unexpected and undesired behavioral problems tied to the array of “gaming adjacent” software installed, most of which you can install yourself with little to no effort and most of which you probably don’t want or need in the first place.

“My daughter Murph. I keep gettin’ older. She stays the same age.”

Also, I love how he had a son who just wanted to be a farmer and that meant that Matthew McConaughey’s character was justified in being totally emotionally disinterested in him, compared to his genius daughter. Seriously, at a certain point I think Nolan forgot he wrote this guy with two kids. His entire character was defined by his relationship with his daughter. Why even give him a son in the first place?

“quick call?”

“sure, I’ve got time for the two hour meeting this is going to be.”

Really? Are you saying this in reference to the essay of his that starts with:

‘Left-wing’ Twitter can often be a miserable, dispiriting zone. Earlier this year, there were some high-profile twitterstorms, in which particular left-identifying figures were ‘called out’ and condemned. What these figures had said was sometimes objectionable; but nevertheless, the way in which they were personally vilified and hounded left a horrible residue: the stench of bad conscience and witch-hunting moralism.

Because if you are, then I guess you didn’t read the article, huh?

I respect the sentiment, but I recently read “Exiting the Vampire Castle” by Mark Fisher and he makes some good points for why callout culture is, shall we say, “less than productive” in some situations.

Don’t Bother Reading

“I guess this is why real companies do regression testing.”

It’s an interesting idea, though, that one’s preference for a particular design or aesthetic, especially when that design or aesthetic is emblematic of a particular historical or cultural moment, is never wholly isolated to its visual or material components, but also innately tied to our memory and understanding of that moment. I personally don’t think you can extricate a particular aesthetic from the psychic background noise surrounding it. Our minds don’t work that way. It’s always forming these subconscious or unconscious connections, binding events and memory to abstract signifiers.

We don’t like the 90s aesthetic because it’s “better” or even attractive. I mean, nobody has wallpaper in their home with those pastel and neon triangles. Many of us like it because it reminds us of childhood, of not having responsibilities other than waking up early enough on Saturday to catch all your cartoons and of not complaining too much when you have to go visit your grandparents who can never remember your birthday and who always ask you how old you are this year, of finishing Super Mario on the SNES before your friend does so you can brag about being better at video games than him. It’s of a simpler time and place, because we were simpler. And it was, in retrospect, of an America briefly sandwiched between the end of the original “Forever War” that was the Cold War, and the beginning of the 20th Century’s new “Forever War,” that is the War on Terror.

Churchill was a master of historical non-fiction. Not “history books,” per se, but basically books about historical topics pertaining to England that interested him: https://en.wikipedia.org/wiki/A_History_of_the_English-Speaking_Peoples. They were very popular during his day.

Great thing is that since it’s open source someone can just fork the project and continue development in a different direction.

On reddit, there’s a subreddit called r/lrcast, which is the dedicated subreddit for the Limited Resources podcast. The primary purpose of the subreddit, however, is not to discuss the podcast, but to discuss the “limited” format of Magic: the Gathering, which constitutes draft and sealed. It’s a very difficult, very expensive format of Magic to play and is a niche subsection of an already fairly niche hobby.

I’ve heard nothing but good things about HTMX

I’ve only ever heard anything “bad” about HTMX and it was here on Lemmy, actually. I ran into someone who was absolutely certain that HTMX was unsafe by design because it leveraged HTML over the wire and was therefore susceptible to HTML injection attacks, specifically by injecting malicious scripts that could be ran from domains you didn’t control. I tried explaining that proper utilization of access-control headers innately prevented this because they worked on the browser level and couldn’t be intercepted or interfered with by HTML injection by design, but he kept insisting it was unsafe while refusing to elaborate. He was very wrong, of course, but also very confident.

I do a lot of systems and backend programming and HTMX is the only way I can actually be productive with frontend work when I have to do it. It’s so simple and straightforward.

This is the only actual explanation I’ve found for why numpy leverages its own implementation of what is in most languages a primitive data type, or a derivative of an integer.

I think there’s a difference between “python guidelines encourage” something and “this is a common coding pattern.” Yes, you can use try/except for flow control, but there’s a lot of people, myself included, who try to use that style sparingly.

python guidelines

Do you have a specific PEP you’re referencing or is this one of those “I assume this must be the case because of how common using try/except statements for flow control are” kind of things?