What does it take to build a new universe? The answer to that question is larger than we can afford to get into here, but we’re pretty sure that “a person with experience” couldn’t hurt. That certainly seems to be the case for Aspen Comics, who are launching their connected comic-book universe Ekos under the guiding hand of David Maisel, the originator of a small project you may now know as… the Marvel Cinematic Universe.
Of course, you may already remember this story from when Popverse reported it mid-September. Ekos, you’ll recall, is based on the creations of late comic artist Michael Turner, who was famous not just for his Big Two work but also for his creator-owned offerings, comics that attracted the likes of Geoff Johns before Turner’s tragic passing. Now, Maisel is using his universe-building experience to link Turner’s creations in a way they never were.
But before that comic, and the universe therein, hits shelves, Maisel sat down with Popverse to discuss his involvement with the project. We got into what excites him the most about Ekos and learned some of his history at Marvel, without which the MCU would not exist as we know it today. But don’t let us take up more of your time - here’s what Maisel himself had to say.
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I’ve collected Michael Turner art. I was huge Marvel fan and had a huge Marvel collection even before I went there. But I started collecting Michael Turner original art back in 2008, the year Iron Man came out, at Comic-Con. And I got to know his two best friends. Michael passed that year and he left his comic book company and his art to his two best friends who run Aspen now. James Cameron had the rights for all the entertainment stuff then, so I was just a collector.
But in 2018, the rights expired. James Cameron got busy on Avatar, and they asked me if I wanted to step in his shoes. And I was like, ‘Of course.’ I mean, it would be so great to bring the beauty of Michael Turner’s line work and Peter Steigerwald’s colors as the visual DNA of a new cinematic universe. Then I needed to come up with the idea for the universe, because Michael had Fathom - which is the number one comic in the world in 1998, crazy for an independent comic to beat Marvel and DC - but that was set to the present day, Soulfire was 200 years in the future, and Ekos was on another planet. Michael passed away before he could bring the characters together.
So over COVID, I finally came up with the idea that I thought was creatively unique and relevant for today’s age, which is what’s going to be in Ekos Volume One, which is of all of these characters together on this planet, in the same time zone.
I’m tired of universes. Just write a great story. Why does everyone and their dog have this incessant NEED to recreate avengers and justice league? They always suck.
A single story focused on a single or few characters is always better than these rushed efforts to create multiple characters and then put them in a team. The stories always get bloated and don’t make sense and there’s little character development.
Even Marvel and DC suck at it. The teams and universes are idiotic.
I do quite like Minor Threats’ approach, with each issue focusing on a team member, it almost has an Oceans 11 feel to it and it’s really well done.
That and The Mysterymen of Bob Burden fame also did it well, but that was surrealism.
This completes the list of “teams” I want to read more of.
Amen.
I rather liked ultimate at the beginning, so it could be good.
This is why I don’t read Marvel Comics anymore, because they overwrite the whole continuity when all I want is to read something.
As far as I know, Spider-Man, the X-Men, and the Fantastic Four all have their own agendas (heck, Spidey himself was the mascot of the company already) and the Avengers were were just another part of the continuity.
But because Marvel wanted to adapt their films into movies so badly, when they went bankrupt and sold the rights to their characters Kevin Fiege took the remains and made THAT into the main continuity with all the other prominent characters now playing second-fiddle to the Avengers (Spidey ended up playinh second-fiddle to Iron Man because Tony Stark is more important in the movies than Peter Parker was back in the Bronze Age of Comics, and he didn’t even have the same storyline as the comics) while the whole continuity got overhauled for film adaptation and most of the lesser films Marvel has made have raking in the dough since their inception (Iron Man’s arch nemesis The Mandarin was readapted into another version of Syndrome from The Incredibles as a wannabe nerd turned villain who ends up getting killed off).
DC is a better mainstream comic publisher because I hear they’re doing a better job writing comics with so many classic characters and even though they’re not perfect with all film adaptations they still write and make comics on a regular basis.
I normally have sensory issues with movies anyway because I’m sensitive to noises.
